still from “Tony Conrad Painting in Cologne” (2006)
Tony Conrad Later Works in Video, 1989-2011, co-curated with Anna Scime, will be on view at ICA Philadelphia as part of “Introducing Tony Conrad: A Retrospective” from February 1 – August 11, 2019.
still from “Grading Tips for Teachers” (2003), Tony Conrad
Tony Conrad Later Works in Video, 1989-2011, co-curated with Anna Scime is on view at the Carpenter Center for the Visual Arts, Harvard University as part of “Introducing Tony Conrad: A Retrospective” October 18, 2018 – January 6, 2019
“Responsive Aesthetics: Remediating Digital-to-Analog Television Converters as Artist Tools,” a paper I co-wrote with Jason Bernagozzi and Eric Souther, has been published in the October 2018 issue of the Journal of Artistic Research. The paper focuses on our research and conversion of a digital-to-analog converter box into a real-time datamoshing tool (pictured above)
I will be presenting a paper entitled “Witnessing as an Affective Aesthetic” at the Capacious: Affect Inquiry / Making Space Conference in August 2018.
Documentation of performances by Karen Donnellan, Jessica Earle and Tamara Porras from Videotheque screening and performance event at Alfred University, Friday, July 27, 2018
Karen Donnellan
Jessica Earle
Tamara Porras
Videotheque: Screening and Performances
Friday, July 27, 2018 at 8 PM – 10 PM
Holmes Auditorium, Alfred University
curated by Jessica Earle and Laura McGough
Videotheque program notes
A screening and performance event featuring video and animation by Barbara Lattanzi, Andrew Deutsch, Matthew Underwood, Pearl Salas, Kat Reisling, Brian Murphy and more. Sound performances by Jessy Earle, Mike Haleta, Sei Harris, Tamara Porras and Karen Donnellan.
I will be presenting two evenings of work by Hallwalls Contemporary Arts Center as part of its programming celebrating filmmaker and video artist Tony Conrad: “Tony Conrad: Public Access Collaborations” on March 27 and “Tony Conrad: New York Underground” on April 24.
